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Inspired by the divine proportion and the number Phi, Áureo aims to submerge the viewer in an atmosphere governed by harmony and balance. High-level technical acrobatics are executed in a space where relations between objects and people were calculated with precision and argument. Nothing is arbitrary. Áureo seeks to create in the viewer an attraction to the visual, a contrast between the cozy and the uncertainty of each acrobatics, each jump, each fall.
Despite not having any plot line, the work invites us to travel a path of transformation, where the scenery will develop throughout the entire performance. The performers, plain and natural, will take us by the hand through this path of images, acrobatics, music, and emotions. Within this aesthetic and orderly environment, humor interrupts inevitably. Situations that are resolved in the most human way bring to light the absurdity of normality. Áureo is a dynamic and entertaining circus show that combines different circus disciplines, acrobatic lifts, banquine, Russian bar, juggling, and the manipulation of objects that form the scenery.
In addition to attracting with the aesthetics of space, high technical level, and a spontaneous atmosphere, Áureo seeks to arouse in the audience the feeling that there is something more behind all that movement of bodies and bars: something that makes them smile.

| Artistic credits | |
|---|---|
| Acrobatic technique direction | Vitaliy Motouzka |
| Artistic direction | Herminio Campillo |
| Creators and performers | Anjara Moreno, Israél Bernabé, Gisela Segatti, Jesús Fuentes, Guimelh Martín, Rubén Martínez and Óscar Vilar |
| Lighting and sound | Pedro Antonio Bermejo |
| Original music | Javier Cano |
| Scenery | Miguel Manzano |
| Costume design | Pedro Lobo |
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